Reynolds Syndrome Symptoms

usi_ghost @ 2009-02-15T22: 26:00

Enneagram Test: Triad


enneatypes Instinct 8: 4
enneatypes 9: 38
Enneatypes 1: 21
Triad Score: 63


enneatypes Feeling Triad 2: 7
enneatypes 3: 18
enneatypes 4: 30
Triad Score: 55

enneatypes
Thinking Triad 5: 44
enneatypes 6: 28
enneatypes 7: 18
Triad Score: 90

Data triad of thought:

Feelings dominant personality types belonging to this triad are anxiety and insecurity, to put it another way, the types of this triad are more concerned with the future in search of safety and tranquility, which in the present realities or memories.

The triad of thought has been disconnected from the real aspects of nature, which in some spiritual traditions call "quiet mind", ready and alert. This is the source of inner guidance that gives the ability to perceive reality as it is, and can be receptive to inner knowledge that can guide all actions. When these personality types are disconnected from the core have a chattering mind, which is why seeking to silence their restless minds in search of that mind quiet. When locked feel very scared, which filled with insecurities.

types Five, Six and Seven tend to anxiety (experienced lack of support and guidance). Behaviors that are given to believe they will improve their safety under the defenses of his personality are very much afraid.

Unlike Two, Three and Four, Five, Six and Seven are not confused about who they are or how they feel. They, instead, tend to unconsciously anticipate the dangers of life, and is common in them to react from the emotional foundation of fear. In general, the Five, Six and Seven are the most difficult to integrate their personal power and take action in the world, so assertive and consistent. The literature

Enneagram people call this trio the "mental types, because they go through life dealing with their heads. The majority are thinkers who overuse their minds trying to make the suppression of physical instincts.
five, six and seven were drowned in the dilemmas of doing and often experience a kind of knot at will.

Imagine how seeing the world as a dangerous place, populated by forces that can be very unfavorable, and against which you have no sure defense. It's as if you were not in the top of the food chain and had to remain vigilant of the larger predators that can beat, injure or capture. With such a worldview, you completely lacks the power of choice, to say "Yes" or "no." Your personal preferences are less important than other, they have rights and you do not. Any demand from you and feel you must say "Yes," even when their real answer is "no."

entretrenzada Because his will is with the wishes of others, the Five, Six and Seven, each and so little or no conscious, questioning its capacity to deal with impending challenges. To offset this, they tend to live in the future, preparing mentally for what will happen by ramble on "locks" visual and auditory. See images of the future with the eye of his mind, then talk to themselves, then see more pictures ... and speak more internally. All in an effort to prepare for what lies ahead. It seems to tell home videos or see previews of upcoming releases in the entertainment industry.

Fives, Sixes and Sevens can be very complicated strategies for decision making, because they often try to do two things at once: choosing and not choosing. To an outside observer people in this trio seems to be substituting for thought. But, internally, such thinking feels like a way to do that might be called seudoacción. The widespread fear is sometimes described in the books of the Enneagram as cowardice, but another term for it is self-opposition. While Two, Three and Fours tend to self-rejection, the Five, Six and Sevens tend to self-opposition, to return their power against themselves.

Very often, Fives, Sixes and Sevens have grown up feeling vulnerable, overwhelmed, or inadequately supported and may have been perceived as dangerous life since very young. The child's real desires conflicted with those of others who need over-protect them, control them or abandon them. People in these early styles experienced their world as non-negotiable. Young Fives may have felt compressed by a swarm of people or overwhelmed with social expectations. Six might have felt disadvantaged or dominated, while it is common for Seven prisoners have felt overburdened or duties. Loading

even with these early life experiences may be common in adults of this trio suppress their desires and deny their true preferences as an expedient to anticipate external opposition. Fives, Sixes and Sevens tend to project power in the other and then react against that. In that they found the opposition of others, now oppose them themselves.

Fives adults may feel as if others had the power to ask anything and could not say no. " Avoid self-assert themselves directly, and once they feel strong design borders invaded later. Six to able to give to say "no" directly, and instead delegate their options idealized authority figures. Sevens agree to things they do not want or evade the suffering of others. After self-caught in expectations or commitments, Sevens feel that they had no choice and then they make their choices hiperflexibilizando to evade them.

primal wound in the Five, Six and Seven is a sense of agency. While Two, Three and Four are concerned about their identity, the Five, Six and Seven are worried about their competition. Your unconscious recurring question is no longer "Who am I?" but "Am I capable?" I can really do this? " The prevailing paradox in each and every one of these three styles is: "To own my power, I must first put out of reach of others."

The overall challenge for the Five, Six and Seven to integrate themselves its power and take responsibility for their actions. To the extent that change and grow, people with these styles are in contact with his instincts and begin to exercise their free will rather than project them onto the external. Start saying "Yes" and "No" from the feeling of free choice and learn how to self-affirm: the triad data asertivida

instinct:
types Eight, Nine and One have formed about distortions of instincts, which are the root of life force.

The triad of instinct has to do with the intelligence of the body, with basic life and survival. The body has an important role in all forms of authentic because consciousness returned to the body maintains the quality of presence. The body exists in the here and now, at present, it is essential to do a good job of personal development.

When actually inhabits the instinctive center, it gives a deep sense of fulfillment, stability and autonomy or independence. When you lose touch with that essence, the personality tries to "fill" by providing a false sense of autonomy. To find that false sense of autonomy personality psychology creates what is called defense mechanisms. Personality types seek to resist this triad reality (creating limits to the self, based on physical stresses).

These personality types tend to have problems with aggression and repression under the defenses of the personality have a lot of anger.

Eights, Nines and Ones usually know how they feel and usually do not have the hardest for action. They, instead, ignore themselves, and they usually react from the emotional foundation of rabies. It is typical for these three styles have the greatest difficulty in the field of reason and strive to remember their own needs.

Enneagram in the literature, the Eights, Nines, and Ones is called the "instinctive types" because they tend to be detectors of bodily sensation, people perceive physical things and intuitively know right before cognitively. They are more prone to difficulties with the rational and appropriate design often experience a kind of mental clouding.

Imagine you're in the middle of a very lively party, full of people you know and nobody can see or hear. Like the invisible man can intervene physically, but remains to be seen. You know you are this, but for some mysterious reason no one else knows. Occasionally some look in their direction, and you begin to correspond with something, then realize they are looking for someone who is behind you. At other times, listen to "happen" to her friends, chattering about you. "In his absence," of course.

After trying in vain to interact, each time you are more frustrated by the situation. But then, gradually, begin to think: "Well, maybe I'm not really here." A kind of blackout begins to lord it over your perception and gradually you forget why you came to the party what you want, and even who you are. Some part of you has given up and accepted the situation. But on another level, you feel angry.

Eights, Nines and Ones, everyone feels invisible and angry, but react differently to it. An Eight imaginary party, resolved to assert their presence may somehow impossible to not notice to correct the injustice of being overlooked. A Nine may resign himself to not be seen and is dedicated to supply the drinks counter, burying her anger or expressing it indirectly. A One, could be applied to correct the mess that wears the buffet table, channeling their anger into concern for order.

usually Eights, Nines and Ones are more kinesthetic and auditory than visual. And yet you can clearly see the outside world, usually have an inner vision hazy or distorted, especially when seeing their own needs and priorities are concerned. The three thinking styles tend to polar and can reduce complex situations to approach all or nothing, or at neither this nor the other, either. This is more a disorder of thinking that any limitation to the heart or the will is very easy to think clearly when you're not really there.

The thought of an Eight tend to polarize the service of the need to feel safe, taking the form of "you're with me or you against me. "Nines could be absorbed mentally irrelevant or feel caught between two opposing choices without at Nine neither really cares. The few squirm his reasoning by reducing multidimensional reality oversimplified categories of black and black.

As detectors of bodily sensation, all A, Eights and Nines tend to numb their emotions by conversion to physical sensations. Instead of saying "That hurts my feelings" or "I am bewildered," one of the trio might say, "This boils on my skin" or "I'm restless." The person is more aware of a physical feeling of an emotion.

Eights often turn their emotions in sexual lust and physical energy, while Nines can become yours in skin rash, drowsiness, headaches or eye problems. Ones awake yet often translate their emotions in the body tension and stiffness: a so-called "character armor." A You may well be needed to scream and instead get stiff or feel exhausted. In

Enneagram books, the tendency to suppress or neglect of personal position is called self-forgetfulness, but another term for it might be hypnotic amnesia. This difficulty is often described as a condition of "sleeping mind"; however, there is another term for the polarized and confused thinking: seudopensamiento.

Eights, Nines and Ones grew up feeling usually overlooked. People with these styles may have experienced their world as indifferent early, an environment where their vulnerabilities and needs were not held. Unlike Twos, Threes and Fours who felt misunderstood, Eights, Nines and Ones often felt invisible or ignored. Loading

even with these early life experiences, it is common that when adults ignore both their own and their needs in anticipation to get invisible to others. Eights, Nines and Ones, all have a tendency toward self-neglect as an expedient to anticipate and avoid negligence. And Twos, Threes and Fours tend to self-rejection, and the Five, Six and Sevens tend to fall into self-opposition, Eights, Nines and Ones tend to self-deleted.

Eights adults themselves are erased and then trade exaggerating his presence. Nines are deleted themselves and then focus to adapt and adjust to the environment. The few self-delete and relegate their needs to over-objectified principles, forgetting what they really want and turning their attention to "what should be done."

primal wound that share these styles is their sense of being, is a loss of personal recognition, wounded by the disdain. The paradox that prevails in these styles is "To be addressed and taken into account, I pretend not to be here."

The overall challenge for the Eights, Nines and Ones is to begin to see themselves and regain their presence, aware of their needs, and focus on their personal priorities and their internal sense of themselves. They learn to reveal a previously invisible being real and start to think and see things from a more friendly attitude. Data

feeling triad: Triad
This energy is totally focused on the heart, when this gets done from the essence of each person. When

opens the heart to really know who you are, no matter how others see you, because from the heart is able to assess the true essence of himself and every other being. When you have closed and locked the heart, not only loses contact with the actual identity, but also left to feel loved and valued. This loss is unbearable, so the personality involved to create a surrogate identity and find other things that give a sense of worth, usually looking for attention and affirmation of the other external.

These personality types are interested in his image (or attachment to the false assumption of his personality I). Believe the stories about them and their supposed qualities are his true identity under the defenses of his personality have a lot of shame.

Two, Three and Four share a permanent mess on their identities, who are confused with how they look to others. To some extent, all personality styles do this but they are the Two, Three and Four who are more likely to confuse seem to be. People tend to reject this trio really how they feel, for what are supposed to feel, according to the roles that are running.

Two, Three and Four are sometimes called, the types of "heart" or "feel" seem to indicate that they were skilled in the fields of "emotion." But in fact the opposite is true: the major difficulty lies in the affairs of the heart.

A key to understanding this contradiction is what NLP (Neuro-Linguistic Programming) calls direct feelings and sentiments arising in reference to the feelings that you experience directly versus the feelings arising from their other senses. Imagine

downhill skiing. While the decline is concentrated in ever more immersed and involved in the experience, feeling the direct pleasure of the wind in your face, snow trail it leaves behind you, the chisgueteo taking your skis increasing acceleration, tingling sensation in his legs and trunk, a feeling of excitement and vitality in your chest, and inside you grow deeper joy and fulfillment.

Now imagine that slides on the same mountain but with a different mindset. This time as soon begins to descend, he wondered what it looks like you dressed in the latest fashions for skiing, and evaluates their performance on the slopes: the perfection of their style, breathtaking speed, so observers may be below saying about you, what your friends think if they could see him now, how proud of you might be one, its first ski instructor ...

In the first description you experience your body and emotions directly. In the second experiment, by a derivation of words and images inside-the genuine feeling was immediately "replaced" by an idea of what you did.

The difference between the direct sense and feeling derivative is equal to the difference between drama and melodrama or between love and sentimentality. In general, direct feelings are deeper than the feelings arising, and too many of the latter can lead to dishonesty, trying to feel the way you think I should feel, according to their self-images. In the books of the Enneagram, the tendency to interpret scripts of the Two, Three and Four are described as vanity, but another name may be identified with the image. Moreover, another term for the feeling derivative is seudosentimiento.

When children, Two, Three and Four were often misunderstood, that is, they were praised or criticized too much emphasis on outward behavior. The deepest emotional needs of children who were rejected and appeared to be was more important than who he really was, something like a case of mistaken identity.

People with these types experience their world early as socially conditioned. The price of family and social acceptance was to interpret or recreate a script, desgañitarte a serenade for dinner. A Two could have been awarded the useful role played by a three by their external achievements, while four could have been recognized for look different to everyone. Loading

even with these early life experiences may be common in adults of this trio's rejection of his true feelings for external validation, resulting in the representation of scripts with no connection to what they really are. Two adults suppress their personal needs and act as a savior. Three rejected a yes very imperfect and uncertain, in exchange for a reliable and successful, which is exactly the opposite of truth as they feel. Four adults feel self-reject damaged or coarse, and compensate for interpreting the script of a special and unique character.

Unconsciously, Two, Three and Four self-often asked, "Who am I now?" Her primal wound is in its sense of identity and everyday life can be experienced as a kind of permanent identity crisis. The paradox that prevails in these styles is: "To be loved for who I am, I pretend to be what I am."

The biggest area of confusion has the greatest potential for growth. The challenge general for Two, Three and Four is to learn to distinguish their direct feelings of those just derived: to become real to themselves and others. As we change and grow, the people of this trio recover and accept his real self that is often obscured behind a performance.